Spec-aligned revision resources, group courses, and 1:1 tutoring for GCSE and A Level Physics — built by an experienced teacher and examiner.
The long-answer questions in this topic come in a few types, and each type gets marked against the same points every time. Choose one, learn its chain, then fill in the details from the question.
OCR students: these questions come from Edexcel papers, but every bit of the physics is on the OCR A spec too. OCR’s own 6-mark questions are the ones marked with an asterisk (*), and they are marked the same way: by how complete and well linked your explanation is.
The notes: both chains, how to mark up a question and every worked answer. Or just the questions, with the chains at the top and the answers at the back.
Choose a question type
“Explain how a standing (stationary) wave is set up…”
…or a question about nodes or antinodes, or waves that reflect back to where they came from. And the biggest clue of all: a musical instrument.
Watch out for structures that oscillate dangerously too, like a bridge, a tall chimney or a cable in the wind. The wind sets up waves that travel along the structure and reflect off its fixed ends, so a standing wave forms on the structure itself.
Guitar, violin, harp, piano. The wave reflects at the two fixed ends of the string (the bridge and the nut on a guitar).
Organ, flute, recorder, trumpet. The air column inside vibrates, and the sound wave reflects at the ends of the pipe.
The stretched skin vibrates. The wave reflects at the fixed rim, giving a standing wave in two dimensions.
Only certain frequencies fit a whole number of loops between the ends. That’s why each string or pipe plays its own note.
| Standing wave | Interference pattern | |
|---|---|---|
| The waves | Two coherent waves on the same line, travelling in opposite directions. One is usually the reflection of the other | Waves from two or more coherent sources (or two paths) meeting at a point |
| Clue words | string, pipe, instrument, reflected back, a bridge or structure in the wind, nodes, antinodes | two slits, two speakers, bright and dark lines, louder and quieter places, path difference |
| What you see | Nodes and antinodes at fixed places, half a wavelength apart | Maxima and minima, set by the path difference to each point |
Ring two things and underline the trigger. The question doesn’t always say where the wave reflects: if it doesn’t, you supply it.
The string, the air in the pipe, the air between the loudspeaker and the board.
The fixed ends of the string, the end of the pipe, the fixed ends of a bridge or cable.
“standing wave”, “stationary wave”, a musical instrument, nodes or antinodes, a structure oscillating in the wind.
| If the question shows… | What vibrates | Where it reflects (link 1) |
|---|---|---|
| a stringed instrument (guitar, violin, harp) | The string | The two fixed ends of the string |
| a wind instrument or pipe (organ, flute, tube) | The air column | The ends of the pipe |
| a structure in the wind (bridge, tall chimney, cable) | The structure itself | Its fixed ends |
The photograph shows a guitar. The strings of the guitar are at the same tension.
When a stringV is plucked, a standing wave is set up on the string.
(a) * Explain how a standing wave is set up on a string. (6)
1When the string is plucked, a wave travels along the string and reflects at the fixed ends, so there are two coherent waves travelling in opposite directions along the string.✓ 1 mark
2Where the two coherent waves meet, they superpose (interfere).✓ 1 mark
3At points where the two waves are in phase (path difference nλ), there is constructive interference.✓ 1 mark
4At points where the two waves are in antiphase (path difference (n + ½)λ), there is destructive interference.✓ 1 mark
5Nodes form at the points of destructive interference, and antinodes form at the points of constructive interference.✓ 1 mark
6Nodes are points of minimum (zero) amplitude, and antinodes are points of maximum amplitude. The fixed ends are always nodes.✓ 1 mark
Six marking points, six marks available: every link earns its mark.
| Mark scheme says | Link | |
|---|---|---|
| Two waves travelling in opposite directions | 1 | (1) |
| Superpose / interfere | 2 | (1) |
| Constructive (interference) if waves in phase, or if path difference = nλ | 3 | (1) |
| Destructive (interference) if waves in antiphase, or if path difference = (n + ½)λ | 4 | (1) |
| Nodes are formed from points of destructive (interference) or antinodes are formed from points of constructive (interference) | 5 | (1) |
| Nodes are points with min amplitude and antinodes are points with max amplitude | 6 | (1) |
| 6 marks. Indicative content, so quality of written communication counts: write it in order, and the chain does that for you. Always say the waves are coherent (same frequency, constant phase difference): that word earns credit, “the same frequency” on its own doesn’t. | ||
Same chain, different set-ups. Mark up the question first (ring what vibrates, ring where it reflects, underline the trigger), write your answer, then open the answer to see the mark-up, the chain and the mark scheme.
An Aeolian harp is a stringed musical instrument that is ‘played’ by the wind.
As air passes the stringsV, it forces them to vibrate, creating stationary waves on the strings.
(a) Explain how stationary waves are formed on the strings. (2)
1Waves travel along each string and reflect at the fixed ends, so there are two coherent waves travelling in opposite directions along the string.✓ 1 mark
2The two waves superpose (interfere), producing nodes and antinodes: a stationary wave.✓ 1 mark
Two marks, two links. Writing links 3–6 won’t lose marks, but it costs time you need for the rest of the paper.
| Mark scheme says | Link | |
|---|---|---|
| (Two) waves travelling in opposite directions, or wave reflected back on itself | 1 | (1) |
| Superposition / interference occurs | 2 | (1) |
| 2 marks. Always say the waves are coherent (same frequency, constant phase difference): that word earns credit, “the same frequency” on its own doesn’t. | ||
(c) An alternative method to determine a value for the speed of sound is shown in the diagram.
A loudspeaker is placed at a distance from a vertical reflecting boardR. Sound wavesV reflect off the board and set up a standing wave between the loudspeaker and the board. A microphone connected to a sound meter is moved in a straight line from the loudspeaker to the board.
As the microphone is moved, the sound meter records the varying intensity of the standing wave. The sketch graph shows how the intensity varies with distance from the loudspeaker.
(i) Explain why the intensity at point B is less than the intensity at point A. (3)
1A and B are both nodes, where the wave from the loudspeaker and its reflection (two coherent waves) are in antiphase and interfere destructively.✓ 1 mark
2The amplitude (and intensity) of the sound decreases with the distance travelled.✓ 1 mark
3At A, the wave from the loudspeaker has travelled only a short distance but the reflected wave has travelled much further, so their amplitudes are very different and they only partly cancel.goes with 4
4At B, near the board, the two waves have travelled similar distances, so they have similar amplitudes.✓ 1 mark
5So at B the waves cancel almost completely, and the intensity is lower than at A.answers the question
The answer isn’t “B is further away so it’s quieter”. It’s about how well the two waves cancel.
| Mark scheme says | Link | |
|---|---|---|
| Amplitude/energy/intensity of the sound wave reduces with distance travelled | 2 | (1) |
| Appreciate that at A or B two waves are interfering destructively, or at A and B there are nodes | 1 | (1) |
| At B the waves have travelled similar distances so have similar amplitudes | 4 | (1) |
“Explain why there is a bright line / a quiet spot / colours…”
…with waves arriving at a point from two or more coherent sources, or by two different paths: two slits, two loudspeakers, sound bouncing off the walls of a hall, light scattering off the tracks of a CD. Some places get a maximum (bright, loud) and some a minimum (dark, quiet).
Ring the sources and the point, underline what happens there. The sources aren’t always named: reflections off walls count as sources too.
Two slits, two speakers, the walls that reflect, the tracks of a CD.
Where the waves meet: O or P on a screen, a seat in the audience, your eye.
Bright or dark, loud or quiet, colours. That tells you which link (4 or 5) you need.
| If the question says it’s… | Path difference | So your answer says |
|---|---|---|
| bright, loud, a maximum | nλ (phase difference 0, 2π…) | In phase, constructive interference |
| dark, quiet, a minimum | (n + ½)λ (phase difference π, 3π…) | Antiphase, destructive interference |
| coloured, from white light | nλ happens at a different angle for each wavelength | Each wavelength has constructive interference at a different angle, so a spectrum |
The experiment was carried out with laser light of wavelength 600 nm. The diagram below shows two paths taken by the light after it has passed through the two slits A and BS. The diagram is not to scale.
(i) Point OP is a point equidistant from the two slits. Explain why there is a bright line at this point. (3)
(ii) The next bright line is observed on the screen at point P. Lines AP and BP show the path of the light from each slit to the screen at P. State the difference in the lengths of the paths AP and BP. (1)
1Light from the two slits is coherent, and the waves superpose at O.sets it up
2O is equidistant from the slits, so the path lengths AO and BO are equal: the path difference is zero.✓ 1 mark
3So the waves arrive in phase (phase difference zero).✓ 1 mark
4They undergo constructive interference, giving maximum intensity: a bright line.✓ 1 mark
(ii)5P is the next bright line, so the path difference is one wavelength: AP − BP = 600 nm (6.0 × 10−7 m).✓ 1 mark
For (ii) give the number. “nλ” on its own scores nothing: the mark scheme says so.
| Mark scheme says | Link | |
|---|---|---|
| (i) Path lengths (A–O and B–O) are equal, or path difference is zero | 2 | (1) |
| (i) Will arrive in phase, or phase difference is zero | 3 | (1) |
| (i) (Bright line is position of) constructive interference/superposition | 4 | (1) |
| (ii) 600 nm, or 600 × 10−9 m, or 6.0 × 10−7 m, or one wavelength, or λ. Do not accept nλ | 5 | (1) |
| 4 marks. “Constructive” needs underlining in your head: it’s the word the mark is for. Always say the waves are coherent (same frequency, constant phase difference): that word earns credit, “the same frequency” on its own doesn’t. | ||
Same chain, harder set-ups. Ring the sources, ring the point, underline what happens there, then write your answer before you open it.
* The photograph shows a pipe organ in a concert hall.
When the organ is played, sound travels through the air to a person in the audienceP as a wave. It is found that there are some positions in the concert hall where particular frequencies are quieter than others.
Explain why this might be the case and give an action that could be taken to eliminate this problem. (6)
1Sound waves from the organ reflect off the walls, ceiling and other surfaces, so coherent waves reach a listener by different paths.✓ 1 mark
2The waves arriving from different directions superpose at the listener.goes with 3
3For some frequencies the path difference is an odd number of half wavelengths, so the waves arrive with a phase difference of an odd multiple of π (antiphase).✓ 1 mark
4They interfere destructively, so those frequencies are quieter.✓ 1 mark
5For other frequencies the path difference is a whole number of wavelengths (phase difference zero or a multiple of 2π), so the waves arrive in phase.✓ 1 mark
6They interfere constructively, so those frequencies are louder.✓ 1 mark
7The problem comes from reflections, so cover the walls and ceiling with sound-absorbing material (soft panels, curtains) to reduce the reflections.✓ 1 mark
Why only some frequencies? At one seat the path difference is fixed, but the wavelength depends on the frequency. So whether the path difference comes out as nλ or (n + ½)λ depends on the frequency.
| Mark scheme says | Link | |
|---|---|---|
| Sound waves incident upon surfaces within the concert hall will be reflected | 1 | (1) |
| Some frequencies arrive from different directions with a phase difference of (any odd multiple of) π radians, or path difference is an odd number of half wavelengths | 2–3 | (1) |
| Destructive superposition/interference will occur, causing the waves with those frequencies to be quieter than others | 4 | (1) |
| Other frequencies arrive with a phase difference of zero or (any multiple of) 2π radians, or a whole number of wavelengths | 5 | (1) |
| Constructive superposition/interference will occur, causing waves with those frequencies to be louder than others | 6 | (1) |
| Problem arises due to reflections from walls, so use absorbing material on surfaces to reduce reflections | 7 | (1) |
| Indicative content, so your writing is marked too. The organ pipes make their notes with standing waves, but this question is about the hall: that’s interference. Always say the waves are coherent (same frequency, constant phase difference): that word earns credit, “the same frequency” on its own doesn’t. | ||
* The light from a lamp is reflected from the surface of a CD, which consists of a spiral track of elongated bumpsS.
A physics student notices that although the light from the lamp is white, different colours are seen in the reflected light. He suggests that the colours are produced when diffraction occurs at the surface of the CD.
Discuss the extent to which the student’s suggestion explains the presence of colours in the light reflected from the surface of the CD. (6)
1The student is partly right: diffraction does occur when light is reflected from the CD surface.✓ 1 mark
2Each ring of the track acts as a source, diffracting (scattering) the light in all directions.✓ 1 mark
3The coherent light from the many rings superposes, so interference occurs.✓ 1 mark
4In directions where the path difference is a whole number of wavelengths (phase difference an even multiple of π), the waves are in phase and interfere constructively (reinforce).✓ 1 mark
5White light is a mixture of wavelengths.✓ 1 mark
6So each wavelength has constructive interference at a different angle, separating the colours into a spectrum.✓ 1 mark
7So diffraction on its own doesn’t explain the colours: it’s diffraction followed by interference, just as in a diffraction grating.answers “discuss”
“Discuss the extent” wants a verdict. Start by saying how far the student is right, and finish by saying what’s missing.
| Mark scheme says | Link | |
|---|---|---|
| Analyses and interprets the text to conclude that diffraction occurs when light is reflected from the CD surface | 1 | (1) |
| Each ring on the CD acts as a diffraction centre scattering light in all directions | 2 | (1) |
| Interference occurs (superposition of light from the multiple light sources) | 3 | (1) |
| In directions with a phase difference equal to an even multiple of π rad, or a path difference equal to a whole number of wavelengths, constructive interference (reinforcement) occurs | 4 | (1) |
| White light is a range (mixture) of wavelengths | 5 | (1) |
| Hence each wavelength of light reinforces in a different direction, which explains why a spectrum is seen | 6 | (1) |
| 6 marks, indicative content. Same chain as the organ, plus links 5 and 6 for the colours. Always say the waves are coherent (same frequency, constant phase difference): that word earns credit, “the same frequency” on its own doesn’t. | ||
Physics With Kate · physicswithkate.com
Spec-aligned revision resources, group courses, and 1:1 tutoring for GCSE and A Level Physics — built by an experienced teacher and examiner.